Plagiarism in advertising

By Gonzalo López Martí – Creative director, etc / LMMiami.com

  • Advertising is under fire.
  • As a business, as an industry, as a cultural agent.
  • Our relevance and our legitimacy as creators and guardians of the canon and its values is called into question literally 24/7.
  • In the age of social media, everything we “create” is scrutinized and torn apart ipso facto by some troll with too much time in his or her hands.
  • Everything our creatives come up with seems to be tin-eared, flat-footed or offensive in some way or other.
  • Fair enough.
  • Question is, do we really “create” in the ad business.
  • I think we don’t.
  • Advertising simply repurposes and reverse engineers tried & true cultural cues with a commercial purpose.
  • We are white gloved plagiarists.
  • To be sure, we might have grossly misled ourselves, our clients and our audiences when we defined ourselves as “creatives”.
  • Talk about hyperbole.
  • We are at best, curators of pop culture.
  • Recyclers.
  • We basically usurp what already exists and repurpose it to sell something.
  • We are opportunists.
  • Zeitgeist surfers.
  • Oddly enough, there’s an unwritten rule among advertising creatives: copying another ad campaign is considered off-limits.
  • That we regard as plagiarism.
  • But stealing shamelessly from movies, music or the art world?
  • Totally kosher!
  • Advertising and commercial graphic design have shamelessly imitated René Magritte, Woody Allen, Seinfeld or Banksy, to name a few, without any intellectual property blowback whatsoever.
  • The list is endless.
  • How many ad campaigns in the last 15 years have copied scenes from Jean-Pierre Jeunet’s movie Amélie?
  • Every Nike ad campaign has clear, if not blatant, cultural references.
  • A recent multi award-winning campaign by Spanish agency Lola Mullen Lowe, “Scary Clown” for Burger King could be easily construed by an overeager IP attorney as an evident rip-off of Stephen King’s It.
  • Most soundtracks in advertising are thinly veiled covers of old and new hits.
  • If Django Reinhardt’s heirs woke up one day and decided to sue unauthorized imitators, they’d spend the next 50 years in court raking in millions.
  • Take a look at the documentaries and frequent reports these folks put together: https://www.everythingisaremix.info/
  • You won’t believe the level of cultural and artistic errr… cross-pollination… that takes place around us every single day.
  • To be continued next week.

 

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